There has been an anticipating question about the story of Skanda movie inquiring about if the movie is based on the true story or not. Skanda potrays incredible action, characters soar into the air, and when they encounter the fury of the protagonist or any of the six adversaries, they perish like flies. The term Boyapati has been implied to this movie. It also implies that the majority of the males in the movie are shown achieving honor, dying, fighting and murdering and women anticipating to take the lead, cry in the emotional response shots, swoon over the hero, be abducted, or threaten the men and their honour.
Gautami, the female protagonist is here to portrays Ram Pothineni’s mother and she is somebody who speaks once. The response would be in the affirmative if she had asked this question in the role of a Skanda agent for female characters.
READ MORE: HALF BAD SEASON 2 RELEASE DATE AND SPOILERS
Is the Story Real or Fictional: Its Relation to other movies
The story is fictional. Skanda’s plot and structure are remarkably similar of many other movies that we have watched in the past. The major ideas about interval twist, Ram being introduced like an ancient deity, The self-centered conflict between the two CMs, and its structure and politics intruding are from movies liked Ramaiya Vasthavayya, Akhanda, Jaya Janaki Nayaka and Sarrainodu.
Though the movie is not based on any true event or occurrence of the past.
The Plot of the Story
The CM of Andhra’s daughter marries the Telangana CM’s son, Sharath Lohithaswa, and this sparks a feud between the two leaders. Ram Pothineni, a classmate of Sreeleela, the daughter of Telangana’s chief minister, enters as the Andhra CM swears to get retribution and retrieve his paruvu. You can already predict what will happen, and the movie does just that. In addition, there is a depressing side story of Rudrakanti Ramakrishna Raju (Srikanth), a businessman who is about to be hung for deceit and the death of thirty-five innocent persons.
We are aware that these powerful people are pressuring Ramakrishna Raju to admit to crimes he hasn’t committed by holding his daughter Saiee Manjrerkar—recall Rakul Preet Singh’s role in Sarrainodu —as ransom. It may have been intentional if the name of the dishonest businessman seems familiar. The most puzzling and satisfying aspect of the movie is when we witness Ram Pothineni in an awestruck avatar. Though it may seem like too much narrative, I assure you that it all boils down to one basic idea: retribution. Everything has been witnessed by us. But this movie’s villains are a farce, in contrast to Boyapati’s earlier works.
Characterisation of the Role
In keeping with the Boyapati genre, the movie also includes some information about the significance of family values in order to earn the entertainment. In what should be a touching sequence, the hero talks about putting his parents’ needs ahead of his own financial security and professional goals. However, the staging and response shots are so simple that the intended scene seems more like a spoof. The same is true of the supporting cast that makes up Skanda’s universe.
From the iconic female lead in Sreeleela to the father of the main character, Manikanta Raju (Daggubati Raja), every character is a comedy. Even the Telugu states’ chief ministers receive the same treatment as cheap hooligans. Sreeleela, a political science student, aspires to be an activist, yet all she wants is for the man to declare her “average.” Once more, it’s a movie that disregards political, cultural, or logical legitimacy. If Skanda has one thing going for it, it’s that the director at least tries to subvert the audience with a second character (another Ram Pothineni). You see, the main attraction in Boyapati’s films has always been this second figure, who frequently appears at the end of the story. Here, he makes good use of it. The movie’s intense climax sequence will astound you with its intensity, number of dead, and craziness. It was so good that I had to temporarily set rationality aside to appreciate the extreme violence on show.
The Core Element of the Film
Although there is still a great deal of violence, much of it is brief and not sensationalized in order to highlight the villain’s dominance, with the exception of one scene that takes place in a police station. There is violence in the action as well. Because firing a single round from the rifle isn’t cool, Ram Pothineni instead pierces the bad guy’s body with the gun like a knife. The absence of any depiction of domestic abuse, like in Akhanda, was what I was most relieved about.
Artistis Review of Skanda Movie
It was clear that Ram was determined to get go of his loverboy persona even before Skanda entered the picture. He was desperate for another potent mass entertainment after Shankar’s triumph, and Boyapati’s Skanda offered him just that. Ram changed every aspect of his appearance, demonstrating an extraordinary level of commitment to the part. He went above and above to fully embody his persona, going so far as to put on weight, grow a thick beard, and speak with a Telangana accent during conversation.
To further demonstrate his dedication to the job, he undertook rigorous training to learn how to do high-octane acrobatics while using unusual weaponry that Boyapati had specifically created.
Ram demonstrated his flexibility in Skanda by evoking powerful reactions and sentiments, and his body style was especially striking. He showed off a great variety as an actor, whether he was playing sentimental sequences with his family or having love moments with the endearing Sree Leela.
Speaking of Sree Leela, she had a fascinating appeal on television even if Boyapati made a conscious effort to minimize her attractiveness. Ram and Sree Leela had a strong connection that enhanced the attraction of the movie, particularly during their exciting dancing scenes that had audiences spellbound.
Despite playing a little part, Mahesh Manjrekar’s daughter Saiee Manjrekar showed her potential. Her performance was adequate, albeit she should have had more time on screen. Srikanth gave a credible portrayal of a problematic software firm CEO, which deepened the story.
Both Ajay Purkar and Sharath Lohithaswa, who are the chief ministers of Andhra Pradesh and Telangana, gave excellent speeches. Prabhakar and Prince Cecil also made an impression in their brief roles as the Telangana CM’s brother and sister.
As the CMs’ counselor, Prithviraj did a good job fulfilling his role and adding to the overall suspense of the movie. As Ram’s father, Daggubati Raja made an enduring impact with his stirring lines; Gauthami and Indraja, meanwhile, played their parts as Ram’s mother and Srikanth’s wife, respectively, with conviction and finesse. Cinema buffs had restless nights as Bollywood bombshell Urvashi Rautela dazzled in a unique rendition of Cult Mama.
Analysis of Skanda Movie
Skanda, a tale by Boyapati Srinu, embodies his unique flair that audiences have grown accustomed to seeing. Boyapati has a talent for putting his protagonists through extreme trials, and in all of his stories, the hero comes out on top. His narrative style frequently veers into mass heights and occasionally verges on the ostentatious. This strategy could work for celebrities like Balakrishna, but it might come off as a little unrealistic for other performers. After the reception of Ram Charan’s Vinaya Vidheya Rama, Boyapati seems to have taken note of this and made a few minor changes for Ram in Skanda.
Still, Boyapati expertly used his gifts to bring Ram’s valor in Skanda to a whole new level. Though it resembles his earlier works and other commercial entertainment, the plot opens with a strong narrative about the growing rivalry between the chief ministers of Andhra Pradesh and Telangana. Before a shocking turn occurs right before the intermission, Ram makes a grand entrance and then appears in a few amorous sequences. Boyapati’s signature emotional interval block stuns the audience, making them question if the movie needs these kinds of high-stakes scenes at this juncture. Skanda sticks to the tried-and-true Boyapati Srinu formula, using his distinctive style and well-known tale. It may not be groundbreaking, but it tries to please a broad audience by giving them the dramatic confrontations and high action they have been accustomed to from a Boyapati picture.
For movie buffs, Skanda – The Attacker provides enough of action-packed excitement throughout. Boyapati sticks to his tried-and-true technique, and he effectively captures the audience’s attention with the vivid energy of Ram, Sree Leela’s engaging dance routines, and a few powerful lines addressing the political environment of Andhra Pradesh and Telangana.
Skanda has all the necessary commercial components, and Boyapati’s skillful directing and writing make sure it appeals to a wide range of audience tastes. He even gives the audience a surprise in the climactic moments by hinting at a possible sequel. Everyone who hasn’t watched this film are recommended to watch this unique story of Skanda available to watch on Disney+ Hotstar.