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Is The Girls on the Bus based on a True story

Experience the gripping world of political journalism with Max’s latest original series, “The Girls on the Bus.” Is The Girls on the Bus based on a True story? Led by the talented Melissa Benoist, alongside Carla Gugino, Natasha Behnam, and Christina Elmore. This show delves into the lives of female journalists on the campaign trail, tackling both professional challenges and personal struggles.

Co-created by Julie Plec, known for her work on “The Vampire Diaries,” and executive produced by industry heavyweights like Greg Berlanti and Sarah Schechter. The series promises authenticity with CNN correspondent Abby Phillip on board as a consultant. Don’t miss out on the drama and intrigue as these characters navigate the turbulent world of politics and media.

Is The Girls on the Bus based on a True story?

Amy Chozick’s 2018 memoir “Chasing Hillary: Ten Years, Two Presidential Campaigns, and One Intact Glass Ceiling” inspires “The Girls on the Bus,” serving as the basis for the series. Chozick, co-creator of the show, draws from her experiences covering Hillary Clinton’s 2008 and 2016 presidential campaigns to shape the characters and storyline. The memoir offers an insightful portrayal of life on the campaign trail, lending credibility to the show’s narrative.

Additionally, the title of the series is a nod to Timothy Crouse’s renowned 1973 book “The Boys on the Bus,” which chronicles a group of reporters covering the 1972 presidential election. Notably, one of the journalists profiled in Crouse’s book is Hunter S. Thompson, the pioneer of Gonzo journalism. In “The Girls on the Bus,” Thompson, portrayed by P.J. Sosko, appears as a figment of the main character Sadie’s imagination, adding depth to the storyline.

The Girls on the Bus draws inspiration from Chasing Hillary, but it deviates significantly from the true story. Apart from Hunter S. Thompson, all characters are fictional, as is the depicted race. Despite potential parallels between the show’s characters and real-life figures, substantial alterations were made for dramatic effect. Through these changes, The Girls on the Bus offers a fresh, original perspective on the genuine experiences of journalists covering political campaigns.

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Exploring “Chasing Hillary”

“Chasing Hillary” delves into various aspects, detailing both the candidate’s mistakes and the failures of journalism. Amy Chozick’s admiration for Clinton initially turns to disillusionment as she recounts the people she encountered. They worked with over the decade, along with the stories behind major political events.

Clinton is portrayed as being stuck in a political mindset more suited to the pre-Iraq war and Great Recession era. Failing to grasp the significance of these events on younger voters’ politics. Surrounded by individuals openly hostile towards the media. Her campaign’s penny-pinching approach extends to neglecting travel expenses for reporters covering her.

Chozick’s struggle to secure an interview with Clinton symbolizes the campaign’s tendency to shut out journalists. That led to an obsession with trivial matters such as the private email servers issue or Clinton’s dietary habits. This toxic feedback loop between the candidate and the media exacerbates negative tendencies, contributing to her historic loss.

Through the book, Chozick reflects on how her identity became intertwined with her political writing, prompting her to question decades of her life. Sadie, portrayed by Melissa Benoist, writes for The New York Sentinel, a legacy publication, embodying a variation of Chozick’s experiences.

Crafting Fictional Realities in “The Girls on the Bus”

Not everything depicted in the series is real. But even the fictional elements are grounded in reality, resonating with the actors involved. Christina Elmore reflects on the cramped spaces of the soundstage where they filmed, likening it to the experiences of journalists on the road. She admits to gaining a newfound appreciation for the mechanics of covering a campaign. It acknowledges the difficulty of delivering breaking news daily.

Amy Chozick reveals that the series provided her with an opportunity to imagine moments she wished had occurred in her own experiences. Collaborating with writer and showrunner Rina Mimoun allowed Chozick to contribute her ideas regularly. Mimoun would inquire about conversations or scenes Chozick wished she had experienced, granting the freedom to incorporate them into the show. Chozick shares her excitement for a scene later in the season between a female presidential candidate and Sadie, admitting it’s something she would have loved to experience herself. While rooted in real life, these moments also tap into fantasy, embracing the creative liberties of television storytelling.

Where to Watch

Catch “The Girls on the Bus” exclusively on HBO Max for a compelling portrayal of journalists navigating scandals, building relationships, and reporting on presidential contenders.

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